Description

This attractive fifteenth-century text has inspired a setting which is reminiscent of medieval tonality and rhythm. Dynamic contrast is important within the strophic framework but the choral tone should not be too rich, with a more restrained approach towards expression being preferable. The frequent changes of time signature are intended to point both conductor and singers towards an idiomatic sense of phrasing but the quaver moment must be even throughout, without unnecessary stresses at the beginning of a bar. Some of the verse openings are exposed and it is advised that the first note of a verse is placed firmly and confidently in order to maintain momentum.